A Chilling Documentary Review: Unpacking a Notorious Incident Through the Perspective of a Florida Cop's Body-Cam

The true crime genre has a new medium, or perhaps even a completely fresh vocabulary and structure: officer-worn camera recordings. Faces of victims, witnesses and possible perpetrators appear suddenly to the cameras, at times in the harsh glare of vehicle beams or torches as the police arrive, their faces and voices eloquent of caution or panic or anger or suspiciously contrived innocence. And we often incidentally glimpse the faces of the law enforcement personnel, one waiting impassively while the other conducts the inquiry with what sometimes seems like remarkable hesitation – though perhaps this is because they are aware they are being recorded.

A Growing Trend in Non-Fiction Cinema

We have already had the Netflix real-life crime film American Murder: Gabby Petito, about the killing of an Instagram influencer by her boyfriend, whose primary focus was officer recordings and in which, as in this film, the law enforcement seemed extraordinarily lax with the perpetrator. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of officer footage. Now comes a new film by Geeta Gandbhir about the tragic incident of Ajike Owens in a city in Florida, a woman of colour whose four young kids reportedly bothered and antagonized her white neighbour, Susan Lorincz. In 2023, after an escalating series of neighbour-dispute incidents in which the police were summoned multiple times, the accused shot Owens dead through her locked door, when the victim went to the neighbor's residence to confront her about hurling items at her children.

The Investigation and State Laws

The investigating authorities found evidence that the suspect had done internet searches into Florida’s “stand your ground” laws, which permit residents and others to use firearms if there is a significant presumption of danger. The documentary constructs its narrative with the body cam footage generated during the multiple officer calls to the scene before the shooting, and then at the horrific and chaotic crime scene itself – introduced by emergency call recordings of the caller contacting authorities in a melodramatically shaky voice. There is also police cell footage of the individual which has a chilly, queasy fascination.

Portrayal of the Accused

The documentary does not really imply anything too complicated about the neighbor, or any extenuating circumstance. She is clearly unstable, although the kids are heard calling her a derogatory term, an hurtful taunt. The film is presented as an illustration of how self-defense regulations generate senseless and tragic violence. But the fact of firearm possession and the constitutional right (that longstanding U.S. legal right that a late commentator notoriously said made firearm fatalities a price worth paying) is not much highlighted.

Police Interrogation and Gun Culture

It is feasible to watch the officer questioning segments here and feel surprised at how minimal concern the officers took in this point. At what time did she purchase the firearm? Did she receive any instruction on handling it? Had she ever had occasion to fire it before? Where did she store it in the house? Could it have been easily accessible and prepared? The authorities aren’t shown asking any of these surely relevant questions (though they could have inquired in recordings that didn’t make the edit). Or is possessing a firearm so commonplace it would be like asking about kitchen appliances or toasters?

Detention and Consequences

For what seemed to her local residents a extended period, the suspect was not even taken into custody and indicted, only detained and even provided accommodation away from home for the night (another parallel, by the way, with the a prior incident). And when she was finally officially taken into custody in the detention area, there is an extraordinary sequence in which the individual simply declines to rise, will not extend her arms for the cuffs, not aggressively, but with the politely self-pitying air of someone whose psychological state means that she is unable to comply. Did the gentle handling up until that point led her to think that this might actually work?

Final Outcome and Judgment

It was not successful; and the panel's decision is saved for the closing credits. A deeply sobering portrayal of American crime and punishment.

This Documentary is in cinemas from October 10, and on the streaming platform from October 17.

Diana Richards
Diana Richards

A passionate writer and life coach dedicated to helping others achieve their full potential through mindful practices.